Bergson never dared to entitle his own work in such a fashion. However, his philosophical contribution on the workings of intelligence deserves such a high title. This article seeks to elucidate Bergson's contribution to philosophy in terms of his anticipation of several developments in human understanding. The work begins by investigating the relation between thought and the world (reality) by reviewing a series of constructivist concepts. In many ways, constructivism is related to both structuralism and post-structuralism, however this (...) work does not seek to detail these interrelations in any overt way. Instead, these concepts lay the groundwork for a review of Bergson's discussion of intellect in relation to life, psyche, and modern physics. Central concepts include limitation, circularity, and complementarity. Ultimately, the article seeks to display how Bergson's work is not only a precursor to constructivism but lays the foundation for a modified constructivism that can achieve a rigorous philosophical level. The proposed ground for the intellect is in the organic. Such an epistemological foundationalism would ultimately justify an evolutionary epistemology, in that, the structuring of the organic is evolving and thus the structuring of intellect would likewise evolve. Clarifying such an epistemology may aid in developing Delueze's an-organic bergsonism. (shrink)

The article examines the philosophy of Henri Bergson and William James as independent doctrines aimed at rational comprehension of spiritual reality. The doctrines imply the paramount importance of consciousness, the need for continuous spiritual development, the expansion of experience and perception. The study highlights the fundamental role of spiritual energy for individual and universal evolution, which likens these doctrines to the ancient Eastern teaching as well as to Platonism in Western philosophy. The term “spiritual energy” is used by (...) Bergson and James all the way through their creative career, and therefore this concept should considered in the examination of their solution to the most important philosophical and scientific issues, such as the relationship of matter and spirit, consciousness and brain, cognition, free will, etc. The “radical empiricism” of William James and the “creative evolution” of Henry Bergson should be viewed as conceptions that based on peacemaking goals, because they are aimed at reconciling faith and facts, science and religion through the organic synthesis of sensory and spiritual levels of experience. Although there is a number of modern scientific discoveries that were foreseen by philosophical ideas of Bergson and James, both philosophers advocate for the artificial limitation of the sphere of experimental methods in science. They call not to limit ourselves to the usual intellectual schemes of reality comprehension, but attempt to touch the “living” reality, which presupposes an increase in the intensity of attention and will, but finally brings us closer to freedom. (shrink)

This article highlights the mathematical structure of Henri Bergson’s method. While Bergson has been historically interpreted as an anti-scientific and irrationalist philosopher, he modeled his philosophical methodology on the infinitesimal calculus developed by Leibniz and Newton in the seventeenth century. His philosophy, then, rests on the science of number, at least from a methodological standpoint. By looking at how he conscripted key mathematical concepts into his philosophy, this article invites us to re-imagine Bergson’s place in the (...) history of Western philosophy. (shrink)

What is the relation of an earlier being to a later such that given the earlier there is or will be a later? I call this the question of material continuation. To answer, I offer a review of several philosophers’ thoughts, including those of Zeno, Aristotle, Descartes, Bertrand Russell, Henri Bergson, and Alfred North Whitehead. While there is considerable variety among the ontological views of these philosophers, and indeed some direct opposition of both method and assertion, my review (...) suggests that material continuation may be explained by reference to a principle of continual creation. This principle is reflected in Aristotle's unmoved mover, in Descartes's account of God's activity in persistence, in Bergson's concept of la durée, and in Whitehead's principle of creativity. It disappears from view in objective methodologies first emerging in pre-Socratic thought, made rigorous by the development of science by the modern philosophers such as Descartes, and realized in the scientist philosophy of Russell. I include some consideration of whether the creative principle might be ideal or divine. (shrink)

Philosophy of technology is gaining recognition as an important field of philosophical scrutiny. This essay addresses the import of philosophy of technology in two ways. First, it seeks elucidate the place of technology within ontology, epistemology, and social/political philosophy. I argue technology inhabits an essential place in these fields. The philosophy of Henri Bergson plays a central role in this section. Second, I discuss how modern technology, its further development, and its inter-cultural transfer constitute a drive toward a (...) global “hegemony of technology”. The crux of the argument is that the technological impulse within humanity insinuates itself into nearly every aspect of human existence. The structures of the state, the economy, and culture, are each framed by this impulse. In the final analysis, it is argued that only a thorough examination of the intimate connection between humanity and technology can lay the foundation for a comprehensive philosophy of human existence. (shrink)

Louis Cazamian develops Henri Bergson’s concise remarks, which show humour as a special sort of comical transposition of language. Cazamian stresses that humour is based on transposition, which is inevitably conscious, and he is concerned with the division of humour into four different species according to the modes of transposition. Cazamian focuses especially on the complexity of humour and its impact. Even if a certain view of the world and life, that is, a kind of “matter” of humour, (...) is obviously suggested by the mechanism of transposition, that is, by the “form” of humour, it is impossible to determine any universal rule describing the relationship between matter and form. In that sense Cazamian emphasizes the indefinability of humour, and points to the indeterminability of the humorous effect. These arguments demonstrate the essential influence that many important themes of Bergson’s aesthetics and philosophy have had on Cazamian’s conception of humour, a conception that proves to be integrally Bergsonian. (shrink)

The first section of this article focuses on the treatment of “time travel” in science-fiction literature and film as presented in the secondary literature in that field. The first anthology I will consider has a metaphysical focus, including (a) relating the time travel of science fiction to the banal time travel of all living beings, as we move inexorably toward the future; and (b) arguing for the filmstrip as the ultimate metaphor for time. The second anthology I will consider has (...) a more political focus, arguing that the “special effects” form of science-fiction films, rather than the visual or narrative content of science-fiction-films, is truly imaginative and futural. The second section of this article ties together a variety of concepts and insights between time-travel cinema and Deleuze’s Cinema 1, suggesting (among other things) that (c) time-traveling characters in cinema function as a redoubled phenomenon of the “mobile sections” of Bergsonian duration (in reference to Henri Bergson), and (d) time-travel cinema vividly illustrates the imagistic nature of the entire world. (shrink)

This paper argues that 'duality' accounts of time, as exemplified by Henri Bergson's, Edmund Husserl's, and John McTaggart's ideas, parallel the decomposition of temporal experience in depressive psychosis into objective and subjective dimensions of time. The paper also proposes to comprehend the full-fledged depressive temporal delusion, in which the subjective flow of time comes to a standstill, via the idea of a double orientation to reality characteristic of schizophrenic delusions. In the depressive temporal delusion a person claims that (...) time is not moving while simultaneously her cognitive orientation in temporal surroundings remains largely unaffected, hence the double orientation. The juxtaposition of temporal experience in depression with the temporal disorientation in dementia enables us to situate the depressive delusion regarding the flow of time in the middle of a proposed scale of the disintegration of normal temporal experience. (shrink)

"Since the end of the last century," Walter Benjamin wrote, "philosophy has made a series of attempts to lay hold of the 'true' experience as opposed to the kind that manifests itself in the standardized, denatured life of the civilized masses. It is customary to classify these efforts under the heading of a philosophy of life. Towering above this literature is Henri Bergson's early monumental work, Matter and Memory."Along with Husserl's Ideas and Heidegger's Being and Time, Bergson's (...) work represents one of the great twentieth-century investigations into perception and memory, movement and time, matter and mind. Arguably Bergson's most significant book, Matter and Memory is essential to an understanding of his philosophy and its legacy.This new edition includes an annotated bibliography prepared by Bruno Paradis.Henri Bergson was awarded the Nobel Prize in 1927. His works include Time and Free Will, An Introduction to Metaphysics, Creative Evolution, and The Creative Mind. (shrink)

Yael Lin's The Intersubjectivity of Time: Levinas and Infinite Responsibility is the first sustained inquiry into Emmanuel Levinas's theory of temporality, a concept which permeates his work and can in many ways serve as a lens through which his entire system can be examined and understood. As the first book length monograph on the subject, Lin's work promises to be of significant value to scholars of Levinas. The book proceeds by tracing what the author sees as the Western roots of (...) Levinas's theory of temporality, namely the works of Martin Heidegger and Henri Bergson, then goes on to explore the various limitations and problems of that philosophical lineage, before showing how Levinas's own theory responds to those limitations and problems by drawing from the Jewish philosophical tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Dieu comme soi-même: connaissance de soi et connaissance de Dieu selon Thomas d’Aquin: l’herméneutique d’Ambroise Gardeil by Camille de BelloyThomas M. Osborne Jr.Dieu comme soi-même: connaissance de soi et connaissance de Dieu selon Thomas d’Aquin: l’herméneutique d’Ambroise Gardeil. By Camille de Belloy, O.P. Paris: Vrin, 2014. Pp. 297. €32.00 (paper). ISBN: 978-2-7116-2605-2.This book is a discussion of La Structure de l’âme et l’expérience mystique (1927) by Ambroise Gardeil (...) (1859–1931). In this two-volume work of mystical theology, Gardeil explains the material cause of the experiential knowledge that comes from the gift of wisdom, which is one of the seven gifts of the Holy Spirit. La Structure is the third book in a trilogy that focuses on the supernatural knowledge of God, beginning with apologetics in La Crédibilité et l’apologétique (1st ed. 1908), and continuing with the nature of revelation in Le Donné révélé et la théologie (1st ed. 1910). In La Structure, Gardeil develops the thesis that there is an analogy between experiential self-knowledge and the mystical experiential knowledge of God. In the course of his inquiry, Gardeil touches upon philosophical and theological problems concerning self-knowledge, intentionality, the structure of the mind (mens), God’s indwelling in the souls of the just, and the relationship between faith and the gift of wisdom. De Belloy’s new volume is on Gardeil’s presentation of this analogy and its reception by his contemporaries.De Belloy considers largely the issues that surround self-knowledge, the structure of the soul, and mystical experience. He draws together material from Gardeil’s own sources, Gardeil’s contemporaries, and subsequent Thomistic scholarship. He sheds light on the issues themselves, the historical context, and different hermeneutical strategies in Thomism. According to De Belloy, this twentieth-century Thomistic and largely Dominican discussion is important for contemporary philosophers and theologians. To shed light on the context, De Belloy considers a lengthy three-part “Examen de conscience” in Revue Thomiste (1928–29), in which Gardeil responded to published and unpublished comments by his fellow Dominicans Réginald Garrigou-Lagrange (a former student), Marie-Dominique Roland-Gosselin (Le Saulchoir), and Albino González Menéndez-Reigada, as well as a young student, Jean Daujat. De Belloy remarks that Maritain’s discussion of Gardeil in The Degrees of Knowledge to some extent attempts to harmonize the substance of Gardeil’s work with Garrigou-Lagrange’s critical comments. De Belloy emphasizes the interaction between Gardeil and Roland-Gosselin, and at the end of his volume, includes their previously unpublished correspondence.Although De Belloy often notes the difficulty of reading Gardeil’s neo-Scholastic prose, it seems to me that the non-native French reader will find Gardeil more accessible than De Belloy, especially when the latter draws on writers such as Henri Bergson and Hans-Georg Gadamer. Moreover, De Belloy’s discussion is easier to follow if one has already read and is familiar with the four parts of Gardeil’s La Structure. In part 1, Gardeil addresses the structure of mind or spirit (mens), and in particular considers Augustine’s [End Page 472] three main, threefold divisions of the soul in De Trinitate (mens, notitia, amor; memoria [sui], intelligentia, voluntas; memoria [Dei], intelligentia, amor) and Aquinas’s own interpretation and appropriation of these divisions. In part 2, Gardeil describes the way in which sanctifying grace, a created quality that is distinct from the infused virtues, causes the soul’s conformity to God’s essence. In part 3, he discusses God’s presence within the souls of the just and agrees with previous Thomists that God is especially present to the just as an object of faith and love. In part 4, he applies the previous discussion to the structure of mystical knowledge. This last part is the culmination of the entire work, as it addresses the analogy between self-knowledge and the knowledge of God that was defended by earlier Dominican Thomists such as John of St. Thomas (1589–1644) and Thomas de Vallgornera (c. 1595–1665).Part... (shrink)

Time’s arrow is necessary for progress from a past that has already happened to a future that is only potential until creatively determined in the present. But time’s arrow is unnecessary in Einstein’s so-called block universe, so there is no creative unfolding in an actual present. How can there be an actual present when there is no universal moment of simultaneity? Events in various places will have different presents according to the position, velocity, and nature of the perceiver. Standing against (...) this view is traditional common sense since we normally experience time’s arrow as reality and the present as our place in the stream of consciousness, but we err to imagine we are living in the actual present. The present of our daily experience is actually a specious present, according to E. Robert Kelly (later popularized by William James), or duration, according to Henri Bergson, an habitus, as elucidated by Kerby (1991), or, simply, the psychological present (Adams, 2010) – all terms indicating that our experienced present so consists of the past overlapping into the future that any potential for acting from the creative moment is crowded out. Yet, for philosophers of process from Herakleitos onward, it is the philosophies of change or process that treat time’s arrow and the creative fire of the actual present as realities. In this essay, I examine the most well known but possibly least understood process cosmology of Alfred North Whitehead to seek out this elusive but actual present. In doing so, I will also ask if process philosophy is itself an example of the creative imagination and if this relates to doing science. I conclude Whitehead's process philosophy falls short of allowing for the actual creative spontaneity of a dynamic (eternal) present. (shrink)

"La Philosophie de M. Bergson" d'Albert Farges est un ouvrage qui explore la philosophie du célèbre philosophe français Henri Bergson. Albert Farges était un philosophe et un écrivain français du XIXe et du XXe siècle, et son livre offre une analyse et une interprétation de la pensée philosophique de Bergson. Henri Bergson était un philosophe majeur de la philosophie française au tournant du XIXe et du XXe siècle, et il est surtout connu pour ses (...) travaux sur la philosophie de la durée, de la créativité et de l'évolution. Son œuvre a eu une influence significative sur la philosophie, la littérature et la science de son époque. "La Philosophie de M. Bergson" de Farges peut examiner en détail les concepts philosophiques clés de Bergson, tels que l'élan vital, la durée, la mémoire, l'intuition, et d'autres. Il peut également explorer la manière dont les idées de Bergson ont été reçues et discutées dans le contexte intellectuel de son époque. Cet ouvrage d'Albert Farges peut servir de ressource précieuse pour ceux qui souhaitent comprendre la philosophie complexe et novatrice de Bergson et son impact sur la philosophie moderne. (shrink)

Sewall Wright first encountered the complex systems characteristic of gene combinations while a graduate student at Harvard's Bussey Institute from 1912 to 1915. In Mendelian breeding experiments, Wright observed a hierarchical dependence of the organism's phenotype on dynamic networks of genetic interaction and organization. An animal's physical traits, and thus its autonomy from surrounding environmental constraints, depended greatly on how genes behaved in certain combinations. Wright recognized that while genes are the material determinants of the animal phenotype, operating with great (...) regularity, the special nature of genetic systems contributes to the animal phenotype a degree of spontaneity and novelty, creating unpredictable trait variations by virtue of gene interactions. As a result of his experimentation, as well as his keen interest in the philosophical literature of his day, Wright was inspired to see genetic systems as conscious, living organisms in their own right. Moreover, he decided that since genetic systems maintain ordered stability and cause unpredictable novelty in their organic wholes, it would be necessary for biologists to integrate techniques for studying causally ordered phenomena and chance phenomena. From 1914 to 1921 Wright developed his "method of path coefficient", a new procedure drawing from both laboratory experimentation and statistical correlation in order to analyze the relative influence of specific genetic interactions on phenotype variation. In this paper I aim to show how Wright's philosophy for understanding complex genetic systems logically motivated his 1914-1921 design of path analysis. (shrink)

O presente ensaio se insere no âmbito da Filosofia Moderna (séculos XVII-XX), com ênfase numa problemática compartilhada pela Metafísica da mente e pela Filosofia da Física. De um ponto de vista histórico-conceitual, trata-se de retomar a contribuição de Henri Bergson para a compreensão do significado filosófico da Física moderna. Para tanto, projeta-se aqui (i) reconstituir, por uma abordagem histórico-conceptual, a mudança operada no conceito de matéria quando da ruptura entre a Filosofia Natural Clássica e a Filosofia Natural Moderna; (...) (ii) indicar como a prioridade ou o abandono do conceito de matéria ocasionou uma cisão interna na Filosofia Natural Moderna; (iii) mostrar que, segundo Bergson, o problema mente-corpo se origina da concepção cartesiana de matéria e dos desdobramentos desta em outras filosofias; (iv) examinar como Bergson assume criticamente uma concepção de matéria familiar as de J. Maxwell, J. Thomson e M. Faraday; (v) mostrar assim que a originalidade de Bergson consiste em estabelecer a distinção entre dois tipos de “extensão” (“_l’étendue_” e “_l’extension_”), que, se estiverem amparadas na experiência como se espera, suprimem as contradições dos dualismos e autorizam afirmar tanto a realidade da matéria quanto a do “espírito”. (shrink)

Çalışmamızın amacı Bergson’un belirlenemezcilik metafiziğinin pozitif bilimlerin deneysel yöntemine olan ilgisini gösterebilmektir. Bu amaç doğrultusunda, Bergson’un pozitif bilimler ve metafizik arasında hem işbirliği hem de meydan okumaya dayalı olarak kurguladığı bağlantı özellikle pozitif metafizik kavramı çerçevesinde açılacaktır. Bergson metafiziği pozitif bilimlerle özgün bir şekilde bağlayarak metafiziğe yeni bir yaklaşım getirme çabası içerisindedir. Bu yeni yaklaşım, yalnızca felsefeyi bilimle ortak konular üzerine düşünmeye motive etmekle kalmaz aynı zamanda bunlara ilişkin ortak bir deneysel model geliştirmeye çalışır. Bergson’a göre, (...) ortak konular ve deneysel model iki alanı pratikte ayırırken, idealde birleştirmelidir. (shrink)

One of the major works of an important modem philosopher, Matter and Memory investigates the autonomous yet interconnected planes formed by matter and perception on the one hand and memory and time on the other. Henry Bergson (1859-1941) was awarded the Nobel Prize in 1927. His works include Time and Free Will, An Introduction to Metaphysics, Creative Evolution, and The Creative Mind.

Nous présentons ici une introduction à la lecture des Deux sources de la morale et de la religion d'Henri Bergson, publié en 1932. Cet ouvrage est le moins fréquenté des livres de Bergson : on le ramène à quelques formules sur l'opposition du " clos " et de " l'ouvert ", et à un mysticisme un peu fumeux. Pourtant, Bergson a mis vingt-cinq ans à se documenter pour écrire ce livre qui constitue une synthèse philosophique des (...) travaux de la sociologie, de l'anthropologie et de la psychologie des religions de son temps. Surtout, on voit s'y articuler les trois dimensions qui travaillent toute la pensée métaphysique de Bergson : le vital, le mental et le social ; et on comprend mieux que l'affirmation du point de vue de la conscience individuelle ne nie en aucune façon son inscription dans la vie biologique et dans une société politique. L'existence de grands individus y est mise au service de l'action de toute l'humanité et de la vie elle-même. F. Keck propose une présentation générale de l'ouvrage à travers son contexte intellectuel et sa méthode dualiste. A. Bouaniche commente cinq textes extraits des Deux sources ou d'ouvrages qui l'éclairent. F. Worms présente une interprétation de ce livre à la lumière du rapport entre la vie et la morale chez Bergson et dans la philosophie contemporaine. (shrink)

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge (...) must have its basis in a theory of life. (shrink)

HENRI BERGSON (1859-1941), philosophe français, professeur au Collège de France de 1900 jusqu´à 1921, récompensé avec le prix Nobel de littérature en 1928. Ses oeuvres majeures, écrites avec un style parfaitement accessible au lecteur non spécialisé, sont : « Essai sur les données immédiates de la conscience » (1889), « Matière et mémoire » (1896), « L´évolution créatrice » (1907) et « Les deux sources de la morale et de la religion » (1932). Dans ces études, Bergson (...) élabore une vision philosophique en opposition au matérialisme et positivisme scientifique. Concentrant sa recherche sur les intuitions individuelles, il prône la notion d´élan vital, lequel dirige le procès évolutif vers des états d´organisation de plus en plus complexes, et de là vient l´intérêt de donner prééminence à tout ce qui est spirituel et ouvertement créatif, sur tout ce qui est formel, fixé, fermé. Dans « Le rire : essai sur la signification du comique » (1900), il trouve que le comique est soulevé des que nous percevons dans les actions humaines les automatismes, répétitions ou dysfonctionnements qui contrastent avec l´essentielle spontanéité de la vie réelle. (shrink)

HENRI BERGSON (1859-1941), philosophe français, professeur au Collège de France de 1900 jusqu´à 1921, récompensé avec le prix Nobel de littérature en 1928. Ses oeuvres majeures, écrites avec un style parfaitement accessible au lecteur non spécialisé, sont : « Essai sur les données immédiates de la conscience » (1889), « Matière et mémoire » (1896), « L´évolution créatrice » (1907) et « Les deux sources de la morale et de la religion » (1932). Dans ces études, Bergson (...) élabore une vision philosophique en opposition au matérialisme et positivisme scientifique. Concentrant sa recherche sur les intuitions individuelles, il prône la notion d´élan vital, lequel dirige le procès évolutif vers des états d´organisation de plus en plus complexes, et de là vient l´intérêt de donner prééminence à tout ce qui est spirituel et ouvertement créatif, sur tout ce qui est formel, fixé, fermé. Dans « Le rire : essai sur la signification du comique » (1900), il trouve que le comique est soulevé des que nous percevons dans les actions humaines les automatismes, répétitions ou dysfonctionnements qui contrastent avec l´essentielle spontanéité de la vie réelle. (shrink)

The final published book by Nobel Prize-winning author and philosopher Henri Bergson (1859-1941), La pensée et le mouvant (translated here as The Creative Mind), is a masterly autobiography of his philosophical method. Through essays and lectures written between 1903 and 1923, Bergson retraces how and why he became a philosopher, and crafts a fascinating critique of philosophy itself. Until it leaves its false paths, he demonstrates, philosophy will remain only a wordy dialectic that surmounts false problems. With (...) masterful skill and intensity, Bergson shows that metaphysics and science must be rooted in experience for philosophy to become a genuine search for truth. And in the quest for unanswered questions, the spiritual dimension of human life and the importance of intuition must be emphasized. A source of inspiration for physicists as well as philosophers, Bergson's introduction to metaphysics reveals a philosophy that is always on the move, blending man's spiritual drive with his mastery of the material world. (shrink)

Le discours " La philosophie de Claude Bernard " a été prononcé par Henri Bergson le 30 décembre 1913 à la cérémonie du Centenaire de Claude Bernard (1813-1878), au Collège de France. Les trois sections du discours reprennent les trois parties de l'Introduction à l'étude de la médecine expérimentale (1865). Bergson s'emploie à dégager la " conception de la vérité ", et par conséquent la " philosophie " de Claude Bernard : il voit dans l'œuvre physiologique et (...) médicale du savant confirmation de la théorie de la vie élaborée dans L'évolution Créatrice (1907). Le présent fascicule est augmenté d'un certain nombre de textes dans la partie " Lectures ", et en particulier d'une Postface d'Alain Prochiantz, professeur, comme Claude Bernard et comme Bergson, au Collège de France (chaire Processus morphogénétiques). Présentation et édition critique d'Arnaud François (de l'équipe des éditeurs de Bergson en " Quadrige "). (shrink)

The intellectual temper of the age.--Modernism and Christianity.--The philosophy of M. Henri Bergson.--The philosophy of Mr. Bertrand Russell.--Shelley: or, The poetic value of revolutionary principles.--The general tradition in American philosophy.

Henri Bergson (1859-1941) is one of the truly great philosophers of the Modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Mind-Energy is a collection of essays and lectures from the period 1901-13 and has long been out of print. It features essays on life and consciousness, soul and body, mind and brain, and on dreams, memory and the phenomenon of false recognition; (...) the insights Bergson develops in them remain highly pertinent to contemporary work in the philosophy of mind. (shrink)

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Si la vie est une évolution, alors elle doit expliquer jusqu'à la connaissance, l'intelligence, la science et la technique de l'homme, l'homo faber ; si il y a en elle de la création, alors ce n'est pas un postulat extérieur, mais dans son histoire et dans notre vie même qu'on doit l'expérimenter. dans L'évolution créatrice, Bergson pousse ainsi la théorie de l'évolution et l'expérience de la " durée " jusqu'au bout, sans admettre ni une création transcendante ni une vie (...) sans émergence ou nouveauté. Les conséquences traversent toute la science, la théorie de la connaissance, et la philosophie, de 1907 à aujourd'hui. La première édition critique des œuvres de Bergson, dans laquelle s'inscrit le présent volume, répond à un double principe : offrir d'abord le texte intégral du livre tel que l'a publié Bergson, dans sa pagination de référence inchangée ; le compléter ensuite par un dossier comportant des notes historiques et philosophiques ainsi que les variantes éventuelles du texte, une table analytique de l'ouvrage, une série originale d'index, une anthologie des " lectures " majeures et une bibliographie commentée. (shrink)

In Materie und Gedächtnis (1896), seinem zweiten Hauptwerk, erörtert der französische Philosoph und Nobelpreisträger Henri Bergson (1859-1941) das Zusammenwirken von Körper und Geist in der freien Handlung. Auf höchstem gedanklichen Niveau, aber in bestechend einfacher Sprache geschrieben, zählt es zu den herausragenden Grundwerken der Gegenwartsphilosophie. Bergson bleibt nicht akademisch, sondern löst das Problem des Leib-Seele-Dualismus anschaulich und verständlich.